Michelin Stern für SHIKI Japanese Fine Dining Am Montag, 26. März 2018 wurde Chef de Cuisine Alois Traint (47) die Ehre des ersten Michelin Sterns im Fine Dining Restaurant SHIKI verliehen. Damit hat der gebürtige Niederösterreicher europaweit als einer der ersten nicht japanischen Küchenchefs - zusammen mit seinem internationalen Küchenteam - diese Auszeichnung für japanische Haute Cuisine erkocht. In Österreich ist SHIKI das erste japanische Restaurant mit Michelin Sterne Bewertung. Alois Traint zeigte bereits seit der Eröffnung Februar 2015 als Souschef sein außergewöhnliches Talent [...]
2017 January 2017 1st January 2017 New Year’s Concert, Auditorium de Palma, Palma de Mallorca, Spain 2nd January 2017 New Year’s Concert, Auditori de Manacor, Manacor, Spain February 2017 1st February 2017 Balearic Symphony Orchestra with Khatia Buniatishviki, Paris, France Mendelssohn-Bartholdy, Tchaikovsky 25th February 2017 Lauenen Chamber Concerts, Lauenen Church, Lauenen, Switzerlan Strauss, Boccherini, Tchaikovsky April 2017 27th April 2017 Palma de Mallorca Auditorium, Balearic Symphony Orchestra, Soloist Gautier Capucon Link: http://simfonicadebalears.net/es/content/decimotercer-concierto-temporada-2016-17 May 2017 25th May 2017 Palma de Mallorca Auditorium, [...]
Vienna, 20th March 2017. Over the past two years, Joji Hattori’s SHIKI in Vienna’s Krugerstrasse has made a name for itself not only for its contemporary interpretations of traditional Japanese haute cuisine, but also as a result of the restaurant’s pleasant ambience. The atmospheric but discreet interior has now also been acclaimed by the jury of the internationally renowned FINEST INTERIOR AWARD. At the beginning of the year, BEHF Corporate Architects in Vienna – the only Austrian prizewinner – [...]
...Having started life as a festival focussed on musicals, the Sommerfestival Kittsee successfully changed course in 2009. This year, the intendant duo Peter and Christian Buchmann are presenting Heinrich Berthe´s musical comedy Dreimäderlhaus in the atmospheric courtyard in front of the baroque castle. A hit! (...) They have found a powerful and energetic conductor partner in the shape of Joji Hattori who magnificently highlights and then sweetly merges Berthe´s arrangements of Schubert´s melodies...
...The shift from musical to operetta has been masterfully achieved at Schloss Kittsee. Joji Hattori leads the Capella Istropolitana Orchestra and the Kittsee Festival Chorus with a great sense of operetta, taste and tempo, confirming that Hattori can be highly recommended as a conductor of not only opera but also of operetta...
...It is sometimes interesting to take a look at not only the highlights but also at the so-called “repertoire” of the State Opera season. One such example was the 89th performance of Marco Arturo Marelli´s magically colourful and extremely humorous production of the “Magic Flute” which marked the State Opera debut of the Japanese conductor Joji Hattori. The prize-winning violinist has already shown his affinity with Mozart in Vienna through his work with the Wiener Kammeroper. In this production, [...]
...A combination of grace and devotion ensured that the seventh Symphony Concert of the Erfurt Philharmonic Orchestra was enthusiastically received by the public.(...) One can only find good things to say about the performance of Gioachino Rossini´s Strabat Mater, a piece in several movements with a hint of the operatic but a weak denouement. The orchestra played enthusiastically under a highly engaged Joji Hattori, with exemplary instrumental flair being demonstrated by, amongst others, sensitive horns, full-bodied strings and a [...]
...The Philharmonia is regarded as one of the world's great orchestras and arguably this country's finest. This was evidenced in the richness of tone in the first few bars played. Throughout, Japanese conductor Joji Hattori drew from his forces disciplined playing with strict observance of dynamics and tempi. Rossini's overture to The Barber of Seville opened the evening. He simply took this one "off the shelf" and substituted it. It has been a great favourite ever since. Hattori took [...]
...Tchaikovsky's Symphony No 6 with the Pathetique sombre opening (yes, the Philharmonia can do this too) showed the orchestra's melodic heart was on its sleeve and with fluid, energetic conducting - sometimes just a shrug of the shoulders - there was an exciting build-up to the third movement's march with string strength and bright brass inducing premature applause. But this happiness returned to the darker mood as they wrung out the emotion and one could sense them breathing the [...]
...From the very first notes of Beethoven’s Symphony No 7 in a major the scene was set and the excitement began. Under the firm director of Joji Hattori, the first movement positively bounded along enthralling the packed Cathedral audience. The second movement allegretto in a minor key was taken at a slower pace producing a majestic and haunting interlude in this otherwise fast moving symphony. Returning to a major key, the orchestra leapt into a much faster speed for [...]